Success!
I thought it was time to post an updated photo of the new rescues:
Oh, wait, wrong photo. This is the neighbor’s bison. So easy to get confused. It is the same color as Jim’s rescue :^P
Tonight all the patience paid off. I went into the round corral and the chestnut filly let me walk up to her and touch her, but walked away. She let me walk up and touch again and walked away. I went to the corral panel and snapped the rope onto the vertical post and laid the rope out. The filly watched. I walked up to her and caught her. She knew once the rope was up, she was caught. Figuring out she needed to be in the corner was beyond her figuring. Thank goodness they are smart and understand what happens next so quickly. I used that to an advantage. I love it when things work out like I think they should! She even let me lead her by her mane up and to where I wanted to play with her. I put the rope around her neck, went and got oat toasties for the two of them and then took the rope off while she ate and I gave her a good grooming with a curry and picked up all four feet. So here is a photo of her tonight. It will be worthwhile to see how she fills out in the coming months.
She has a name now. Dulcinea. Dulci for short.
“Dulcinea is a fictional character who is referred to (but does not appear) in Miguel de Cervantes’ novel Don Quixote. She is also known as Dulcinea del Toboso, Aldonza Lorenzo, and Aldonza de Toboso.
Seeking after the traditions of the knights-errant of old, Don Quixote finds a true love whom he calls Dulcinea. She is a simple peasant in his home town, but Quixote imagines her to be the most beautiful of all women. At times, Quixote goes into detail about her appearance, though he freely admits that he has never seen her.
Don Quixote describes her appearance in the following terms: “… her name is Dulcinea, her country El Toboso, a village of La Mancha, her rank must be at least that of a princess, since she is my queen and lady, and her beauty superhuman, since all the impossible and fanciful attributes of beauty which the poets apply to their ladies are verified in her; for her hairs are gold, her forehead Elysian fields, her eyebrows rainbows, her eyes suns, her cheeks roses, her lips coral, her teeth pearls, her neck alabaster, her bosom marble, her hands ivory, her fairness snow, and what modesty conceals from sight such, I think and imagine, as rational reflection can only extol, not compare.” [Volume 1/Chapter XIII]
In the Spanish of the time, Dulcinea means something akin to an overly elegant “sweetness”. In this way, Dulcinea is an entirely fictional person for whom Quixote relentlessly fights. To this day, a reference to someone as your “Dulcinea” implies hopeless devotion and love for her.
She does appear in stage and film adaptations of the book. In cinema and on stage, she has been played by (among others) Sophia Loren, Joan Diener, Hollis Resnik, and Vanessa Williams. In the Broadway musical Man of La Mancha, she is a self-described whore. Her given name is (Aldonza), and a prominent arc of the musical follows her distrust and then fervent belief in Don Quixote’s quest. She begins as someone who has no self-worth, Aldonza, and through Quixote’s belief in her, she begins to believe in herself as someone of great worth and takes on the name Dulcinea. Also in the musical, a priest sings a song called “To Each His Dulcinea”, in which he reflects that although Dulcinea does not exist, the idea of her is what keeps Don Quixote alive and on his quest.”
I think it fits her. Only the delusional see the potential beauty there.
Meet Dulcinea!
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